2012.1.11暫定版課綱下載這兒
課程目標與說明主要以人文社會學術方法學的訓練為主,介紹多樣與當代的社會文化理論,選讀重要作者的經典文章,分析其理論架構與方法,課程分為兩大主軸:一為從人文學科的理論層次,探究當代文化研究議題:藝術與社會、空間文化、現象學、文化工業、日常生活美學、性別與族群議題,強調人文學科跨領域的整合訓練;二為從社會學科的方法研究,探討在全球化、觀光化、解殖後的後現代情境,當代詮釋文化人類學新的研究方法與議題,從哲學、書寫、報導人、田野場域提出文化批判及其與大眾文化、文化認同的關聯性。介紹人文社會理論方法學的研究工具,使學生能應用於論文的理論研究與探討。
本課程設有專門教學網站,並委由本課程助理維護,每週定期更新網頁內容,含當週導讀文本、討論主題、相關閱讀資料。課程結束後一週內,整理該週課程提問與討論紀錄並公告上傳,以開放學術資訊意見交流。
教學評量
1. 每位同學每週上課前繳交一頁當週讀本心得報告;同時每位同學自行負責本學期教材的導讀若干次。每次導讀不超過20分鐘(即約4,000-5,000字)。以書寫方式導讀。(暫定如此,看情況而定。)
2. 期中報告(人文學主題)內容限讀本教材範圍,口頭及書寫報告,5000字以上,題目需事前與老師討論。
3. 期末報告(人類學/社會科學主題)內容限讀本教材範圍,題目以自行「出題」方式於第15週上課前上傳課程網頁繳交,並於課堂上口頭簡要報告。書寫報告則於第16週繳交。期末報告5-7頁(至少正文6000字)。作業請勿遲交。
成績評定為導讀(%);期中報告(50%);期末報告(50%)
課程規劃及閱讀書目︰
週次 | 日期 | 主講人 | 研讀內容 | 討論議題 |
1 | 2012.2.21 | 課程概要與介紹 | ||
2 | 2012.2.28 | 國定假日 | ||
3 | 2012.3.6 | 1.Schapiro, Meyer.1994. “ On some problems in the semiotics of visual art﹕field and vehicle in image-signs.” in Theory and philosophy of art: style, artist, and society, pp.7-35. New York: George Braziller. 2.Schapiro, Meyer. 1994. “ Style, ” in Theory and philosophy of art: style, artist, and society, pp.35-87. New York: George Braziller. | 藝術與社會 | |
4 | 2012.3.13 | 1. Merleau-Ponty, Maurice ,1998, “The Body,”Phenomenology of perception,pp.67-202. London and New York: Routledge. ◎“Experience and objective thought. The problem of the body”. pp.67-72. ◎“The Body as Object and Mechanistic Physiology ”. pp.73-89. ◎“The Experience of the Body and Classical Psychology ”. pp.90-97. ◎“The Spatiality of One’s own Body and Motility ”. pp.98-147. ◎“The Synthesis of One’s own Body”. pp.148-153. ◎“The Body in its Sexual Being ”. pp.154-173. ◎“The Body as Expression, and Speech”. pp.174-202. 2.梅洛龐蒂(龔卓軍譯),2007,《眼與心》,台北市:典藏藝術家庭。(參考閱讀) | 梅洛龐帝與現象學 | |
5 | 2012.3.20 | 1. Benjamin, Walter, 2002, “Paris, the Capital of the Nineteenth Century” in Walter Benjamin, Selected Writings, volume 3. 1935-1938, translated by Edmund Jephcott, Howard Eliand and others, pp.32-49, Edited by Howard Eliand and Michael W. Jennings, Cambridge, Massachusetts and London:Harvard University Press. 2.Benjamin, Walter, 2002, “Exchange with Theodor W. Adorno on the Essay “Paris, the Capital of the Nineteenth Century”” in Walter Benjamin, Selected Writings, volume 3. 1935-1938, pp.50-67, Edited by Howard Eliand and Michael W. Jennings, Cambridge, Massachusetts and London:Harvard University Press. 3.Benjamin, Walter, 2002, “Berlin Childhood around 1900” in Walter Benjamin, Selected Writings, volume 3. 1935-1938, translated by Edmund Jephcott, Howard Eliand and others, pp.344-413, Edited by Howard Eliand and Michael W. Jennings, Cambridge, Massachusetts and London:Harvard University Press. | 班雅明與文化空間 | |
6 | 2012.3.27 | 盧玉珍 | 1. Adorno, Theodor, and Max Horkheimer. 1999. The Culture Industry: Enlightenment as Mass Deception. In The Cultural Studies Reader, edited by S. During. New York: Routledge. 2. Adorno, Theodor W. Fall .1975. Culture Industry Reconsidered. New German Critique 3. 阿多諾,1998,《文化工業再探. In 文化與社會》,新莊: 立緒。 4. 朱元鴻,2000,<文化工業:因繁榮而即將作廢的概念>《文化產業:文化生產的結構分析》。台北:遠流。 5. Cazdyn, Eric. 2003. Uses and Abuses of the Nation: Toward a Theory of the Transnational Cultural Exchange Industry. In Globalization: Critical Concepts in Sociology. New York: Routledge. 6. 盧玉珍,2011,〈街頭「飆」舞的晚期現代性意涵:我尬舞,故我在〉《運動文化研究》17,頁7-56。 | 文化工業與啟蒙 |
7 | 2012.4.3 | 1.De Certeau. 1984. The Practice of Everyday Life. Translated by Steven Rendall. pp.1-130, California:University of California Press. ◎“Part I: A Very Ordinary Culture”. pp.1-42. ◎“Part II: Theories of The Art of Practice ”. pp.43-90. ◎“Part III: Spatial Practices ”. pp.91-130. 2.瓦爾德 (Graham Ward)(林心如譯),2009,《塞杜文選》,台北:桂冠出版。(參考閱讀) | 日常生活美學 | |
8 | 2012.4.10 | 賴淑娟 | 1. Butler, Judith. 2006.“Women as the subject of feminism”, “Bodily inscriptions, Performative, Subversions” , In Gender Trouble: Feminism and the Subversion of Identity. pp:2-7,175-193. New York: Routledge. 2. Mohanty, Chandra. 1991. “Under Western Eyes: Feminist Scholarship and Colonial Discourses.” In Third World Women and the Politics of Feminism, edited by C.Mohanty, A. Russo and L. pp:51-80.Torres. Indiana University . 3. Collins, Patricia Hill. 2008. “The Politics of Black Feminist Thought”, ”The Power of Self-definition” Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment . pp:3-18,91-114. New York : Routledge. | 性別與後殖民 |
9 | 2012.4.17 | 期中課程評量 | ||
10 | 2012.4.24 | 羅正心 | 備註:以下讀本★為必讀;◎為選讀。 ★Good, Byron. 1994. Medicine, Rationality, and Experience: An Anthropological Perspective. Cambridge: Cambridge University Press. | 醫療人類學 |
11 | 2012.5.1 | ◎Micheelsen, Arun. 2002. “‘I don’t do systems.’ An interview with Clifford Geertz,” in Method & Theory in the Study of Religion (14)1:2-20. ◎Joseph Errington. 2011. “On Not Doing Systems,” in Interpreting Clifford Geertz. ★Clifford Geertz 1. Religion as a Cultural System (1973) 2. Ideology as a Cultural System (1973) 3. Common Sense as a Cultural System (1983) 4. Art as a Cultural System (1983) | 作為文化體系與「我不研究體系」 | |
12 | 2012.5.8 | ★Clifford Geertz. 1984. “Anti Anti-Relativism,” in American Anthropologist (86)2:263-278. ★Clifford Geertz. 1988. Works and Lives. (ch1, ch6) ★Paul Rabinow. 1986. “Representations are Social Facts: Modernity and Post-Modernity in Anthropology,” in Writing Culture: The Poetics and Politics of Ethnography. James Clifford and George E. Marcus, eds., pp. 234-261. Berkeley: University of California Press. | 置身現場: Being There/ Being Here | |
13 | 2012.5.15 | ★Johannes Fabian. 1983. Time and the Other: How Anthropology Makes Its Object. (閱讀範圍TBD) ★Arjun Appadurai. 1988. “Putting Hierarchy in Its Place,” in Cultural Anthropology 1 (3):36-49. ★Vicent Crapanzano. 1986. “Hermes’ Dilemma: The Making of Subversion in Ethnographic Description,” in Writing Culture: The Poetics and Politics of Ethnography. James Clifford and George E. Marcus, eds., pp. 51-76. Berkeley: University of California Press. | 民族誌凝視: 自我與他者 | |
14 | 2012.5.22 | 葉秀燕 | ★Fortier, A-M. 1998. “Gender, ethnicity and Fieldwork: A Case Study,” in Clive Seale, ed. Researching Society and Culture. Pp.48-57. Sage. | 田野中的性別與族群 |
15 | 2012.5.29 | ◎George Marcus and Michael Fischer. 1986. Anthropology as Cultural Critique. ★James Clifford. 1986a. “Introduction: Partial Truths,” in Writing Culture: The Poetics and Politics of Ethnography. James Clifford and George E. Marcus, eds., pp1-26. Berkeley: University of California Press. ★James Clifford. 1986b. “On Ethnographic Allegory,” in Writing Culture: The Poetics and Politics of Ethnography. James Clifford and George Marcus, eds., pp98-121. Berkeley: University of California Press. ★James Clifford. 1988a. “On Ethnographic Authority,” in The Predicament of Culture, pp21-54. ★James Clifford. 1988b. “On Ethnographic Surrealism,” in The Predicament of Culture, pp117-151. ◎James Clifford. 1990. “Notes on (Field)notes,” in Fieldnotes: The Makings of Anthropology,” pp47-70. | 書寫職權與人類學諷刺 | |
16 | 2012.6.5 | ★Akhil Gupta and James Ferguson. 1997. “Discipline and Practice: ‘The Field’ as Site, Method, and Location in Anthropology, in Anthropological Locations: Boundaries and Grounds of a Field Science, pp1-46. ★James Clifford. 1997. “Spatial Practices: Fieldwork, Travel, and the Disciplining of Anthropology,” in Routes: Travel and Translation in the Late Twentieth Century,” pp52-91. ★Akhil Gupta and James Ferguson. 1997. “Beyond ‘Culture’: Space, Identity, and the Politics of Difference,” in Culture, Power, Place: Explorations in Critical Anthropology, pp33-51. ◎George Marcus. 2009. “Introduction: Notes toward an Ethnographic Memoir of Supervising Graduate Research through Anthropology’s Decades of Transformation,” in Fieldwork in not What It Used to Be: Learning Anthropology’s Method in a Time of Transition. James D. Faubion and George E. Marcus, eds., pp1-34. ◎James D. Faubion. 2009. “The Ethnic of Fieldwork as an Ethnics of Connectivity, or The Good Anthropologist (Isn’t What She Used to Be),” in Fieldwork in not What It Used to Be: Learning Anthropology’s Method in a Time of Transition. James D. Faubion and George E. Marcus, eds., pp145-164. | 當代人類學田野場域 | |
17 | 2012.6.12 | 期末作業報告 | ||
18 | 2012.6.19 | 期末回顧與檢討 |